On The Cutting Edge Of Technology

Music That Bites Back

Technology With Teeth


If you are into music, specifically making music, and even if you’re used to doing things old school, it’s virtually impossible to ignore new technology. I not only design and develop hardware and software for music, but I do it by blending tried and true with “here’s what’s new” and through trial and error, it seems to work very well for me.

I embrace the notion of “what’s old is new again” as much as I embrace trying out the latest and greatest. I also apply this practice when it comes to composing, arranging, performance and everything that is involved with producing records. I keep an open mind, love collaboration and keep enthusiastic and impassioned even when things hit a brick wall. I am inspired by challenge.

Currently, on the technical side of things, I am working on music using a wild combination of prototype technology (some created by myself and some by others) and older technology that is available to anyone. My weapons of choice are as follows:

– Arsenal of dedicated hardware including rack gear and stand-alones.
– Application based software (running wired AND wireless)

Instead of listing a complete inventory, the bulk of my front end kit is:

– Tape Machines (YES, I still use tape for many reasons and for different applications dependant upon what I am working on at the time)
– Computers (several custom and a $200 Walmart special)
– My main controllers are a Palm Airdrum unit (with wireless hand controllers similar to a Wii system), heavily modified Roland Workstation, Wireless Airguitar System processed through the Concertone, and my acoustic drum kit fitted with triggers.
– Consoles are a custom re-profiled (all Japanese electronics) Yamaha Recording Console with automation and a Toft designed LARGE format desk with all hand-wired British Electronics including two custom channel strips; one all Neve and the other all API.
– My main way to capture acoustic audio depends on what I am trying to capture and print, but I mostly use a Marshall Prototype Tube Microphone.
– Monitors include NS10m, Cizaks, Genelec 1031A’s, JBL (custom), Mini-Auratone’s that are actually house-branded and a pair of Calibration Standard Instruments MDM-TA3’s. Cans are an assortment from Fostex and Sennheiser and AKG (240 DF being the favorite for accuracy)
– I mix to tape, direct to CD, direct to disk and through the Cloud 9 Music Pro App Suite. I choose what I like best on each project (and yes, strangely enough it sounds different each time) and the unchosen formats become archival.

I am currently collaborating via file-transfer with other artists as a way to save time and money. It seems to be working superbly.


About Glenn Davis Doctor G - Glenn Scott Davis

Glenn Davis Doctor G - Born as: Glenn Scott Davis - Royal Welsh Family. International Artist - Warner Bros. Inventor, author, filmmaker and developer. Guinness, Gold and Platinum Record Awards. Member of Mensa. Owner of Burbank CA, Warner Bros. and all affiliated companies.
This entry was posted in air guitar, Cloud, cloud app, cloud computing, cloud mail, cloud player, cloud services, concertone, electronics, entertainment, entertainment news, glenn davis doctor g, how to make a hit record, keyboards, music, music cloud, musical instrument, new technology, piano, Uncategorized and tagged , , , , . Bookmark the permalink.

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